Lawrence, 1983Ĩ2 yards, Dylan Peebles vs. 100 att.)Ħ.2 yards/rush, Dorian Myles, 2012 (123 carries, 765 yards)ĥ.7 yards/rush, Jaden Alfanostjohn, 2021 (133 carries, 757 yards)ĥ.7 yards/rush, Scott Berent, 1990 (208 carries, 1,181 yards)Ĩ9 yards, Andrew Giuliano at Morrisville St., 2008Ĩ3 yards, Dave Cook vs. Highest Rushing Average per Attempt: (Season min. Morrisville St., 2007Ģ31, Jude Francois at Central Conn., 1979Ģ08, Johnnie Akins vs. ![]() New Jersey City, 1999Ģ81, Andrew Giuliano at Morrisville St., 2008Ģ47, Andrew Giuliano vs. (NOTE: Brian Anthony made five field goals at Maine Maritime in the 1994 ECAC Northeast Bowl, but that performance is not listed above since postseason games only started counting in the records in 2002.)ġ0, Al Rapp (10‑for‑10) vs. (Season) 84, Mike DeBole, 2012 (16 FG, 36 PATs)Ĥ, George Oostmeyer at New Jersey City, 2000ģ, 18 occurrences, including most recently: Full records not available from 1967-81.) In addition, complete individual defensive statistics, including individual tackles and sacks, were first tracked at Cortland in 1979.)ĥ1 yards, Bill Shear at Trenton St., 1966ĥ1 yards, Jim Perrott vs. ( NOTE: Beginning in 2010, the Cortland Football Record book was adjusted to reflect only accomplishments since 1963, the first year complete offensive records were compiled at the College. The only modification brought to the villa during the filming was the transformation of the animal water trough into a small swimming pool in the backyard.(Records include postseason games, beginning in 2002, per NCAA rule change) That one overlooks the huge park behind the mansion and the stairs that lead to the valley, with two beautifully carved columns on the upper end of the stairway. There’s a balcony, a smaller one in the back side, as well. At the front entrance, surrounded by trees there’s a carved stone statue facing the front balcony from the first floor – well known from the film. ![]() There’s also a cellar accessible from the main staircase. The main hall and some of the rooms have beautiful frescoed ceilings painted in the 16th century by Aurelio Busso. According to the description, after entering the villa we find ourselves in the large hallway with a barrel vault ceiling and a terrazzo floor that crosses the whole building allowing the visitor to catch even the view of a portion of the park located beyond the villa. ![]() After the success of Luca Guadagnino’s film, Palazzo Albergoni hit the real estate market. The famous mansion is still a private property and it is not open for public. The picture was also used on early postcards. The artwork was a gift for Count Griffoni Angelo, the last Griffoni owning the villa between 18. It was Finoli Bassano’s engraving depicting the villa and the garden with the pond. When we returned to his office, Gianluca pointed to the picture on the wall. Three years later Pierre Albergoni became the new owner. The villa remained property of the Stramezzis to 1958. Giuseppe Perletti purchased the villa in 1865 and 12 years later his nephew, Saverio Stramezzi inherited it. When Angela Vimercati Deseverino married the Count of Griffoni Sant’Angelo in 1776, the villa became property of the Griffoni Sant’Angelo family. Through the centuries the mansion suffered numerous modifications, notably in the 18 th century when the villa got its main appearance. The influential Vimercato family from Milan in the 13 th century settled in Crema and on the ruins of a former castle built a fascinating country house for themselves. The villa that in Luca Guadagnino’s film serves as the home of the Perlmans and takes us back in time to the now vintage eighties and to the sundrenched summer when the romance between Elio and Oliver blossomed, is an imposing mansion just across the mayor’s office on Via Roma. When I’ve first told the mayor of Moscazzano, Gianluca Savoldi about my visit, neither of us knew that weeks later signor Francesco will be so kind to take our photos on the lawn in the front of the “Call Me By Your Name” villa.
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